From executive producer Zach Braff and director Jeremy Snead, "Video Games: The Movie" is an epic feature length documentary chronicling the meteoric rise of video games from nerd niche to multi-billion dollar industry. Narrated by Sean Astin and featuring in-depth interviews with the godfathers who started it all, the icons of game design, and the geek gurus who are leading us into the future, "Video Games: The Movie" is a celebration of gaming from Atari to Xbox and an eye-opening look at what lies ahead.

This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs & old generation. This is a failing battle because the man is not strong enough.

Salesman Willy Loman is in a crisis. He's about to lose his job, he can't pay his bills, and his sons Biff and Happy don't respect him and can't seem to live up to their potential. He wonders what went wrong and how he can make things up to his family.

" Le pape, combien de divisions ? " Cette repartie ironique de Staline à Pierre Laval, qui lui demandait un geste envers le Vatican, témoigne du sentiment de supériorité que le maître de l'URSS éprouvait à l'encontre de la papauté et qu'il partageait avec Hitler et Mussolini. En effet, de quelles troupes les papes disposent-ils pour combattre les Etats totalitaires et leur volonté de contrôle absolu des sociétés et des individus ? …

Jonas Nightengale is a fraudulent Christian faith healer who makes a living travelling around America holding revival meetings and conducting 'miracles' with the help of his friend and manager, Jane, and their entourage.

A retired special forces officer is trapped in a never-ending time loop on the day of his death.

A sick young man drives around in his daddy's camper, looking for lone stray females to kidnap, torture, rape and murder.

A group of travelers, stranded at an isolated, fog-bound mansion, are beset upon by the living dead from the adjoining cemetery.

„It can be truly said of Adelaide di Borgogna that, like a rose, it bloomed but a day - l’espace d’un matin.” First performed in Rome on the 27th December 1817, it enjoyed very few revivals. In 2011 the Rossini Festival in Pesaro presented the second staged performance of Adelaide di Borgogna since 1825.