"Deep Tracks" is the fourth compilation album released by American country music artist Faith Hill. The album features a selection of album tracks from Hill's career that were never released as singles, as well as three unreleased tracks.

"Concrete and Gold" is the ninth studio album by American rock band Foo Fighters, described by the band as an album where "hard rock extremes and pop sensibilities collide". Upon its release, "Concrete and Gold" was received positively by music critics, who praised the album's more expansive feel, both musically and lyrically.

New World is the fourth album by Danish vibraphonist Martin Fabricius and his trio.

Brazilian organist Walter Wanderley was one of the true masters of his instrument, both in Brazil and throughout the world.

In 1999 Triumph’s Rik Emmett partnered with Same Reid of Glass Tiger to release an album of classic Christmas songs entitled The Spirit Of Christmas.

British-American violist Peter Sulski superbly demonstrates his instrument’s true expressive potential on BOWED COLORS from Navona Records.

The Sound of Fury was the first album released by Billy Fury in 1960. The album has been described as "the best rock & roll album to come out of England's original beat boom of the late 1950s". Fury was possibly the first British rock 'n roll artist to write his own songs, sometimes under the pseudonym Wilbur Wilberforce.

The Canadian-Mexican pianist Arturo Nieto-Dorantes is an impetuous virtuoso who ignites the stage the second he merges with his instrument.

"Eine hertzinnigliche und freüdenreiche Betrachtung/ des in der Krippen liegenden/ süssen Kindleins Jesu/…" - this quote from lyricist Johann Rist provides the motto for Werner Fabricius' compilation of Christmas music. The director of the ensemble La Protezione della Musica, Jeroen Finke, has compiled an overview of Fabricius' work under the Christmas focus.

The title track of Victor Haynes' forthcoming album "Love Is The Answer" was posted last week and we have the privilege of receiving the full album in advance of release on Friday (2 Dec '22) to give you a preview.

In a modern age crowded with distractions, one quickly learns to appreciate the little oases of peace. Andrew Anderson’s 2022 Navona Records release, CHAMBER WORKS, might just be such an oasis – written with replenishing qualities, great clarity, and a sense of purpose.

Given the sped-up classic soul samples with which Kanye West has made his mark, it comes as no surprise that the producer/rapper would pick a tradition-minded R&B singer as his first big pet project. Legend first made his name on Philly's incense-clouded, '70s-obsessed neo-soul scene, then found his way to New York and became West's right-hand man in the studio. His patron's pop smarts serve Legend well–while many contemporary R&B records rely too heavily on a singer's cadence and skill to carry underdeveloped tunes.

In the monastic life of the Cistercian order, as in the case of the female monastery of Santa María la Real de Las Huelgas (Burgos), a royal pantheon, the seat of coronations and the epicentre of a very intense musical life in which singing played an extremely important part, the nuns were called upon to live a life of simplicity, silence, prayer and contemplation. Flavit auster, which is part of the Las Huelgas Codex, is a Marian text inspired in the Song of Songs in which the most powerful symbols of femininity appear, such as the honeycomb, milk and honey, and protectiveness described as “mother of mercy, port of hope for the shipwrecked and virgin mother purified.”

There is still no consideration of the musical depth of Giulio San Pietro del Negro, an avant-garde composer of the early 17th century, Salentinian by birth (from Lecce) but Lombardian by artistic adoption. Thanks to in-depth studies conducted by Maria Giovanna Brindisino and Sarah Marianna Iacono, we have a rich and varied historical-biographical profile of del Negro: from a young age (1580-1600) the composer lived in Lecce; during those two decades, he probably studied under the direction of maestro di cappella Francesco Antonio Baseo; then, in the first decades of 17th century, he was warmly welcomed into the Lombardian artistic environment.

WH ‘Billy’ Reed (1876-1942) was Leader of the London Symphony Orchestra between 1912 and 1935. He was also a close friend of Sir Edward Elgar and a superb composer in his own right. Hardly any of his compositions have been recorded and in this release you will hear the music of a superb craftsman, rich in melodic and harmonic invention, with a real English voice. This CD, containing the 4th and 5th String Quartets and the two movement Légende, will provide well over an hour’s delightful listening performed by the Cirrus String Quartet, recorded in the fine and warm acoustic of The Space at the Pamoja Hall, The Space, Sevenoaks.