Although Zawinul tried touring alone in the immediate wake of the breakup of Weather Report, he soon returned to a group format, first with Weather Update in 1986 and a couple of years later with the raffishly named Zawinul Syndicate. The multi-national Syndicate basically expands the Weather Report format into a sextet, with a rock guitar (Scott Henderson) replacing the sax, an extra percussionist on board to join WR's Alex Acuna, and more vocal support then ever – and if a Wayne Shorter-like melody line was needed, Zawinul would play it himself on his new Korg Pepe wind synthesizer.

Painfully obscure trio from Bolivia that made a bold, raucous but jazzy and deceptively simple heavy prog during the early 1970's. The band formed in 1969 (or possibly even '68) and was constituted by guitarist/keyboardist/singer Jose Eugenio, drummer Alvaro Cordova, and Javier Soldias on bajo. They recorded throughout the early '70s but no official album was released until 1974's 'Gusano Mecanico' on Discolandia. On the surface the material may remind more of hard rocking cousins Zeppelin or Jimi Hendrix than anything Prog but the jazz elements, sense of experimentation, and clear influence from ELP and Pink Floyd on certain cuts - as the three-part title on the '74 LP - leave very few doubts this is a vintage Heavy Prog band worth its salt.

Less than two years after their last album, legendary Mexican Electro duo Hocico is once again filling the air with their unabashedly sound and strikes hard with their full range of aggression on the band's brand new album "HyperViolent". Latently menacing and rather insidiously rough as in "Broken Empires" or wrapped in a pulsating Dark'n'Bass tune as in the recently released single "Backstabbers" - Hocico doesn't play shy on any of the 13 tracks of their new longplayer. This also counts for the bonus track “Weapons of Resistance”, which features guest vocals from Ten56 frontman Aaron Matts and which, after previous collaborations with Lord Of The Lost and Ost+Front, means another straight banger, that makes noch only the Aggrotech heart beat faster. In 2022, heavy-hitter Hocico is still going strong in pushing boundaries and breaking old conventions - or simply said: "hyper hyper"!

This 1989 compilation was produced by the late Alan Dell a man of great taste in all things musical. He often played Vikki Carr on his BBC radio shows ad as part of his EMI compilation series focused on many top flight vocalists and this certainly applies to the legendary Miss Vikki Carr.

It takes only 20 seconds of rhythmic rapture on “Samba” before a familiar melodic refrain emerges. Not long thereafter, Gloria Estefan’s distinct voice cuts through and reveals the self-referencing interpolation at play, a culture-blending revival of Miami Sound Machine’s 1985 smash “Conga”. Such boldness sets BRAZIL305, the 13th studio album of her decades-long career, off to a truly memorable start. With a titular portmanteau that perfectly encapsulates its contents, the project bridges São Paulo with Miami in riveting fashion. Fan favourites from her bilingual catalogue like “Get on Your Feet” and “Rhythm Is Gonna Get You” transform here with fresh instrumentation that maintains the pop majesty of the original versions. Estefan doesn’t limit the reinterpretations to her own work, providing inventive takes on tracks like Maria Rita’s “O Homem Falou” in both English and Spanish.

Enigma mastermind Michael Crétu took a self-described "omnicultural" approach to his seventh release under the moniker, and while that progressive, pioneering notion looks good on paper, any sharp stylistic changes to the project's signature sound on Seven Lives Many Faces are subtle, to say the least. Once again, Crétu seamlessly blends ethnic fusion, new age, and neo-classical electronica into the perfect background music for a European tourism campaign commercial, peppering each track with his seemingly endless arsenal of samples, both new and old.

In early 1990, when she was one of the biggest pop stars in the world, Gloria Estefan suffered a broken vertebrae when her tour bus was struck in an accident, and her miraculous recovery from that near tragedy greatly informed her successive album, Into the Light. Though often noted as a "comeback" album, that descriptor is misleading. Yes, Into the Light is a comeback – a comeback from her accident, that is. It's not a comeback in the sense that her previous album, Cuts Both Ways, had been a failure or even a disappointment. No, Estefan hadn't fallen off, so to speak, with that album. Quite the opposite. It was a monster hit, breaking into the Top Ten and scoring a couple of high-charting ballads: "Don't Wanna Lose You" and "Here We Are." It also marked a drastic shift away from the unabashed dance-pop of her Miami Sound Machine output toward a more respectable adult contemporary appeal. This shift affected not only her image but also her audience as a result, and that shift is even more apparent on Into the Light. In fact, the shift seems complete, as this is full-fledged adult contemporary album with serious themes and toned-down production.

Gilda (Miriam Alejandra Bianchi) was an Argentine singer and songwriter. She was the most successful tropical singer of the 90's in Argentina. Gilda started getting involved in music while organizing festivals at a Catholic school. After meeting musician Tito Giménez, the teacher became a backup singer, joining a band called la Barra and soon participating in a second project named Crema Americana. In 1993, Giménez convinced her to start a solo career, recording De Corazón A Corazón after signing up to local label Magenta. The following year, "La Única" featuring the hit "Corazón Herido" and "La Puerta" was released. In 1995, Pasito A Pasito came out, getting the hit and one of her most popular songs "No Me Arrepiento De Este Amor."

Francisco Gustavo Sánchez Gómez, known as Paco de Lucía, was a Spanish virtuoso flamenco guitarist, composer and producer. A leading proponent of the new flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to cross over successfully into other genres of music such as classical and jazz. Richard Chapman and Eric Clapton, authors of Guitar: Music, History, Players, describe de Lucía as a "titanic figure in the world of flamenco guitar", and Dennis Koster, author of Guitar Atlas, Flamenco, has referred to de Lucía as "one of history's greatest guitarists". Castro Marín is the thirteenth studio album by the Spanish composer and guitarist Paco de Lucía. All songs were written by Paco de Lucía. The title was a tribute to his mother, a Portuguese woman from Castro Marim.

Known for his mariachi-inspired easy listening sound, trumpeter Herb Alpert is one of the most successful instrumental performers in pop history. He is also one of the entertainment industry's canniest businessmen, having co-founded A&M Records – a label that ranks among the most prosperous artist-owned companies ever established – with partner Jerry Moss. Collection includes: The Lonely Bull (1962); South Of The Border (1964); Whipped Cream & Other Delights (1965); !!Going Places!! (1965); What Now My Love (1966); S.R.O (1966); The Beat Of The Brass (1968); Rise (1979); Fandango (1982); Bullish (1984); Keep Your Eye On Me (1987); Classics, Volume 1 (1987); Steppin' Out (Featuring Lani Hall) (2013); In The Mood (2014); Come Fly With Me (2015).